%0 Audiovisual Material
%T The traces of Art under control of Nazi Germany (by Lea Grüter and Leonhard Weidinger to the symposium organized by the CIVS in Paris, on November 15, 2019)
%+ Commission pour la restitution des biens et l'indemnisation des victimes de spoliations antisémites (CIVS) (CIVS)
%+ Premier ministre
%A Grüter, Lea
%A Weidinger, Leonhard
%8 2019-11-15
%D 2019
%K Spoliation
%K Restitution
%K Holocaust
%K Anschluss
%K Washington Principles
%K Claims
%K Artwork
%K Nazi-confiscated Art
%K Provenance Research
%Z /Administration, institutions/Justice, droits fondamentaux et libertés publiques
%Z /Éducation et société/Droits et libertés, insertion et exclusion, lutte contre les discriminations, égalité entre les femmes et les hommes
%Z /Culture, information, communication/Arts, culture et patrimoine
%Z /Europe, international/EuropeVidéo
%X During the symposium organized by the CIVS on November 15, 2019, Lea Grüter and Leonhard Weidinger showed how the Nazi regime organized and extended its control over objects and works of art in Europe from the late 1930s.
Lea Grüter is a provenance researcher and has been conducting research for the Rijksmuseum (Amsterdam) since 2017. She particularly works on museum acquisitions occurring from 1933 onwards. Since 2005, historian Leonhard Weidinger has been a provenance researcher at the MAK museum in Vienna, and on behalf of Austria's Commission for Provenance Research.
Their presentation in this conference focuses on the situation in Austria after the Anschluss, and on a coffee and tea set today present at the Rijksmuseum. To conclude, the two researchers share their convictions on the challenges facing Provenance Research and the best way to move forward.
%G anglais
%2 https://www.documentation-administrative.gouv.fr/adm-01859464v1/document
%2 https://www.documentation-administrative.gouv.fr/adm-01859464v1/file/15_Weidinger_Gruter.mp4
%L adm-01859464
%U https://www.documentation-administrative.gouv.fr/adm-01859464